Faculty & Staff
Barbara Lewis, PhD
- Host, Commonwealth Journal Associate Professor of English, College of Liberal Arts; Director, William Monroe Trotter Institute for the Study of Black History and Culture
- Telephone: 617.287.5880
- Email: Barbara.Lewis@umb.edu
-
100 Morrissey Blvd. Office Location: Trotter Institute, Healey Library, 10th Floor
Areas of Expertise
Theater, Politics and Performance, Francophone Literature, Cultural History
Degrees
PhD, Theatre, City University of New York
Professional Publications & Contributions
- “Miss Tyler’s Two Bodies: Aunt Ester and the Legacy of Water.” Ed. Alan Nadel, August Wilson: Completing the 20th Century Cycle. Iowa City, University of Iowa Press, 2010.
- “Decorated Death and the Double Whammy: Attempting to Erase the Excluded through Minstrelsy and Lynching.” Eds. Patrick Anderson and Jisha Menon. Violence Performed: Local Roots and Global Routes of Conflict. Afterword by Peggy Phelan. New York: Macmillan Palgrave, 2009.
- “An American Circus: the Lynch Victim as Clown.” Ed. David Robb. Cinema of Masks: Jean Renoir and Commedia dell’Arte: Clowns, Foods and Picaros: Popular Forms in Literature, Drama and Film. Amsterdam: Rodopi, 2008.
- “Antebellum Revisitations: Insurrectionary Interventions in Kindred and Sally’s Rape.” Revisiting Slave Narratives II. Ed. Judith Misrahi-Barak. Montpellier: Presses Universitaire de la Mediterranee, 2007
- “Mistress of Myself: Love in a Time of Transition.” Ed. Francisco Collado. Masculinities, Femininities and the Power of the Hybrid in U.S. Narratives: Essays on Gender Borders. Heidelberg, Germany: Carl Winter. 2007.
- “Taking the Cake: Ann Petry’s Has Anybody Seen Dora Dean?” Eds. Hazel Ervin and Hillary Holladay. Ann Petry’s Short Fiction: Critical Essays. Westport, Connecticutt: Praeger, 2004.
- “Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem.” A Sourcebook on African-American Performance: Plays, People, Movements. Ed. Annemarie Bean. London: Routledge, 1999.
- Co-translator with Thomas C. Spear (from French) of Faulkner Mississippi by Edouard Glissant. New York: Farrar, Straus & Giroux, 1999. Issued in paperback by University of Chicago Press, 2000.
- “Daddy Blue: The Evolution of the Dark Dandy.” Inside the Minstrel Mask: Readings in Nineteenth Century Blackface Minstrelsy. Eds. Annemarie Bean, James Hatch, and Brooks McNamara. Hanover, New Hampshire: Wesleyan University Press, 1996.
Additional Information
Barbara Lewis is the director of the William Monroe Trotter Institute for the Study of Black History and Culture at UMass Boston, where she is an associate professor of English. As a theatre historian, she has published on lynching and performance, blackface minstrelsy, the Harlem Renaissance, August Wilson, and the black arts movement of the sixties with an emphasis on gender. As a Francophone scholar, she co-translated Faulkner, Mississippi by Edouard Glissant, which was published by Farrar, Straus & Giroux (1999). From 2000 to 2002, she edited the journal Black Renaissance/ Renaissance Noire, published by the Institute of Afro-American Affairs at New York University.
For more than fifteen years, Lewis covered the arts scene in New York, writing reviews and celebrity interviews for Essence, the Amsterdam News, the Soho Weekly News, and Ms. Magazine. Today, she is a member of the Board of Directors of the prestigious New Federal Theatre in New York, led by Woodie King Jr., a world-renowned stage producer who helped launch the career of Ntozake Shange, author of for colored girls who have considered suicide when the rainbow is enuf. New Federal Theatre's mission to integrate minorities and women into the mainstream of American theatre is one of Lewis's lifelong passions. Further, she is especially interested in a larger recognition of the political import of the theatre, which brings people together into dialogue and discovery of a truth beyond the strictly personal.
Lewis earned her doctorate in theatre at the Graduate Center of the City University of New York. She has taught at City College, Lehman, and New York University. Prior to being named director of the Trotter Institute, she was chair of the Department of Theatre at the University of Kentucky. Lewis is also one of the hosts of Commonwealth Journal and has appeared on New England Cable News, WGBH-TV's Basic Black, and other media outlets.