Faculty & Staff
Mary Oleskiewicz, PhD
- Associate Professor of Music, College of Liberal Arts
- 617.287.5640 Telephone:
- Mary.Oleskiewicz@umb.edu Email:
100 Morrissey Blvd. Office Location: McCormack Hall, 2nd Floor, Room 00618
Areas of Expertise
Musicology, Performance Practice, Flute Performance (Modern and Historical), European Art Music, Latin American Music and Dance, Organology
PhD, Duke University; MA, Case Western Reserve University; BMus, Youngstown State University Dana School of Music
Website: Click here
“One of the greatest baroque flutists of our time.” (American Record Guide, 2014)
After winning first prizes in both the National Flute Association’s Baroque Flute Artist and Doctoral Dissertation Competitions, Mary Oleskiewicz quickly established herself as an international performer of historical flutes and the leading expert on the flutist, theorist and composer Johann Joachim Quantz. She is an authority on music at the 18th-century court of the Prussian King Frederick “the Great,” and her numerous, highly acclaimed essays, editions and recordings have focused on the music of Quantz, C.P.E. Bach, King Frederick, and the Bach family. Her musicological and performing expertise also extends to music of Latin America and the Caribbean, in particular the music of Argentina and Brazil.
Professor Oleskiewicz holds the Ph.D. in Musicology/Performance Practice from Duke University, a Master of Arts in Music Before 1750 from Case Western Reserve University, and the Bachelor of Music in Flute Performance from the Dana School of Music at Youngstown State University. A resident of Boston (USA), (and formerly Berlin, Germany), she frequently performs, lectures, and gives masterclasses throughout Europe and North America, and in Japan, Australia and Mexico. Principal flutist of Newton Baroque, she has also performed under Roger Norrington with Boston’s Handel and Haydn Society Orchestra, and has appeared as soloist with numerous period instrument ensembles, among them La Fontegara of Mexico City, Newport Baroque, Arcadia Players, Boston Pro Musica, and Chicago’s Baroque Band. She is a former member of the Youngstown Symphony, in Youngstown, OH. Prof. Oleskiewicz has released five solo recordings with the Hungaroton Classic and Naxos labels. Her recent world premiere CD of flute concertos performed with Miklos Spanyi and Concerto Armonico is receiving international acclaim.
Mary Oleskiewicz’s recording projects are closely connected to her research and editing work. In 2012 she published the first editions of repertoire from her CD released in 2011: Flute Sonatas by Frederick “the Great” (for Breitkopf & Härtel). As a contributing editor for Carl Philipp Emanuel Bach: The Collected Works, she published a new critical edition of the sonatas for flute, harp, oboe and viola da gamba, taking into account newly available musical sources. She is regularly featured as a contributor to Flutist Quarterly, and the Dutch Flute Society’s Fluit, and is currently at work editing a volume of Bach Perspectives, entitled J.S. Bach and His Sons for the American Bach Society.
Professor Oleskiewicz is the recipient of several prestigious multi-year fellowships from the Alexander von Humboldt Foundation (Germany) and the DAAD (German Academic Exchange Service) allowing her to reside for extensive periods in Germany, Russia and elsewhere to research, edit and record flute music of the 18th-century. She is also a three-time recipient of the University of Massachusetts’ Joseph P. Healey Award, and was honored as a guest speaker and performer for her research contributions at the Provost’s Research Luncheon in 2013.
A fluent German speaker, during 2008-2009 Professor Oleskiewicz taught performance practice in at the University of the Arts in Berlin. She has also presented a series of guest lectures at Queen’s College in NYC, for the Year of Brazil. Previously she served as Professor of Flute at the University of South Dakota, and Curator of Musical Instruments at the National Music Museum.
Among Mary Oleskiewicz’s principal flute teachers were Walter Mayhall (modern flute) and Sandra Miller (baroque flutes). Her instrumentarium of flutes ranges from the middle ages to the nineteenth and twentieth centuries. She also plays baroque recorder, Argentine bandoneon, and improvises on Native American and South American flutes.
Since 2005 Mary Oleskiewicz has been dancing, teaching, researching and performing Argentine tango, which she has studied privately with many of the most renowned masters in Buenos Aires, Berlin, and the U.S. During 2014 she travelled internationally to offer seminars and lectures on the music of the virtuoso bandoneon player and orchestra leader Anibal Troilo as part of the centenary celebrations of his birth. As a dancer, she has performed and lead tango workshops at the Albuquerque and Boston Tango Festivals, the Boston Brazilian Festival, Montango (Montreal), and Phoenix Studio (Berlin, Germany), and elsewhere. As a musician, she has performed on flute and bandoneon as a member of the Qtango Orchestra of Albuquerque, NM.